max bense hermes|Max Bense and Gustav Metzger's Art Defied Computing's Military : 2024-10-22 • Max Bense in the German National Library catalogue• max-bense.de• Stuttgarter Schule• Elisabeth Walther: "Max Bense und die Kybernetik", netzliteratur.net See more
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0 · Max Bense and Gustav Metzger's Art Defied Computing's Military
1 · Max Bense
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max bense hermes*******Max Bense (7 February 1910 in Strasbourg – 29 April 1990 in Stuttgart) was a German philosopher, writer, and publicist, known for his work in philosophy of science, logic, aesthetics, and semiotics. His thoughts combine natural sciences, art, and philosophy under a collective perspective and follow a . See more
Max Bense spent his early childhood in his birthplace Strasbourg and in 1918 his family was deported from Alsace-Lorraine as a consequence of World War I. Starting in 1920, he attended . See moreMathematics in art and languageAlready in his first publication, "Raum und Ich" ("Space and Ego"; 1934), Bense combined theoretical philosophy with mathematics, . See moreAll references are in German.• Eckardt, Michael: ".sich in die wissenschaftliche Welt allerbestens einführen können." Max Bense, Walter Wolf und Georg Klaus zwischen Kooperation und Konflikt an der Universität Jena in den Jahren . See moreAll publications are in German.• Raum und Ich. Eine Philosophie über den Raum. Luken & Luken, Berlin 1934• Aufstand . See more• Max Bense in the German National Library catalogue• max-bense.de• Stuttgarter Schule• Elisabeth Walther: "Max Bense und die Kybernetik", netzliteratur.net See more In postwar Europe, theorist Max Bense and artist Gustav Metzger imagined new roles for computers beyond their use for business and war.
max bense hermes Max Bense and Gustav Metzger's Art Defied Computing's Military Max Bense (7 February 1910 in Strasbourg – 29 April 1990 in Stuttgart) was a German philosopher, writer, and publicist, known for his work in philosophy of science, logic, aesthetics, and semiotics. In postwar Europe, theorist Max Bense and artist Gustav Metzger imagined new roles for computers beyond their use for business and war. Max Bense (1910–1990) wrote works that theorize mathematics and the natural sciences, technics, aesthetics, semiotics, and cybernetics, whose analysis he helped inaugurate in Germany. He also authored experimental prose and poetry, and he edited a number of aesthetically avant-garde journals, including Augenblick and edition .max bense hermes The German philosopher Max Bense (1910–1990) advocated for the fluid exchange between aesthetic criticism and information theory, while vigorously promoting practical uses of computing in literary and artistic production. As the dominant theoretician during the pioneering phase of computer art, Bense’s prolific writings on information aesthetics – particularly his signature theory, ‘generative aesthetics’ – reached a global audience.Max Bense (7 February 1910 in Strasbourg – 29 April 1990 in Stuttgart) was a German philosopher, writer, and publicist, known for his work in philosophy of science, logic, aesthetics, and semiotics.Max Bense (1910, Strasbourg – 1990, Stuttgart) was a German philosopher, writer, and publicist, known for his work in philosophy of science, logic, aesthetics, and semiotics.There in 1970, the found-ing year of media studies in German academia, Max Bense met Joseph Beuys, two “types who won’t understand each other.”5 An accounting of their relative speaking times illustrates why the televisual recording of the heated discussion is distributed under the label Joseph Beuys Medien-Archiv.6 In this discussion we witness. Is Max Bense a visionary? How is he revolutionizing the world of images? The article discusses the cybernetics that inspired Bense: a science of probability that contrasts with the principles of Newtonian physics.
AX BENSE (1910—1990), a German philosopher of science and aesthetics, spent most of his teaching career as a profes- sor of the philosophy of technology at the University of Stutt- gart. In his teaching and in numerous books, Bense sought to promote a rational, scientific, even mathematical approach to the ana ysis of art
Max Bense (7 February 1910 in Strasbourg – 29 April 1990 in Stuttgart) was a German philosopher, writer, and publicist, known for his work in philosophy of science, logic, aesthetics, and semiotics. In postwar Europe, theorist Max Bense and artist Gustav Metzger imagined new roles for computers beyond their use for business and war. Max Bense (1910–1990) wrote works that theorize mathematics and the natural sciences, technics, aesthetics, semiotics, and cybernetics, whose analysis he helped inaugurate in Germany. He also authored experimental prose and poetry, and he edited a number of aesthetically avant-garde journals, including Augenblick and edition .
The German philosopher Max Bense (1910–1990) advocated for the fluid exchange between aesthetic criticism and information theory, while vigorously promoting practical uses of computing in literary and artistic production. As the dominant theoretician during the pioneering phase of computer art, Bense’s prolific writings on information aesthetics – particularly his signature theory, ‘generative aesthetics’ – reached a global audience.
Max Bense (7 February 1910 in Strasbourg – 29 April 1990 in Stuttgart) was a German philosopher, writer, and publicist, known for his work in philosophy of science, logic, aesthetics, and semiotics.Max Bense (1910, Strasbourg – 1990, Stuttgart) was a German philosopher, writer, and publicist, known for his work in philosophy of science, logic, aesthetics, and semiotics.
There in 1970, the found-ing year of media studies in German academia, Max Bense met Joseph Beuys, two “types who won’t understand each other.”5 An accounting of their relative speaking times illustrates why the televisual recording of the heated discussion is distributed under the label Joseph Beuys Medien-Archiv.6 In this discussion we witness.
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max bense hermes|Max Bense and Gustav Metzger's Art Defied Computing's Military